Some films entertain, some enlighten—and then there are a few that rattle you to your core. Bastar: The Naxal Story doesn’t ask for your attention politely. It grabs you by the collar and dares you to look away from the uncomfortable truths it lays bare.
Directed by Sudipto Sen, the film dives straight into the heart of Chhattisgarh’s red corridor—an area many of us have heard about in news headlines but rarely understand beyond a surface-level brushstroke. Sen doesn’t try to sanitize or soften the narrative. He shows it raw, messy, brutal. And that’s exactly what makes it linger in your mind long after the credits roll.
At the center of this chaos is IPS Neerja Madhavan, played fiercely by Adah Sharma. Her portrayal is far from the cookie-cutter cop trope we’re used to in cinema. There’s vulnerability beneath the steel, and moments where you feel her exhaustion almost as sharply as her rage. Sharma brings a grounded intensity to the role that makes you believe she’s lived through this war—not just acted it.
What’s commendable about Bastar is that it doesn’t lose itself in dramatic excess. Sure, the emotions run high. But it never feels exaggerated for the sake of storytelling. Instead, it focuses on the people—the displaced villagers, the brainwashed youth, the invisible victims caught between a corrupt system and an ideology gone rogue. It shows the human cost of a war that’s been simmering quietly in our own backyard for decades.
The film’s visuals are another highlight. Harsh terrain, blood-stained forests, broken homes—it all feels heartbreakingly real. The cinematography doesn’t glamorize violence but confronts it. You’re not meant to enjoy these visuals. You’re meant to feel the discomfort, the injustice, the despair.
That said, Bastar isn’t without flaws. There are moments where the screenplay could’ve dug deeper—perhaps given more nuance to opposing perspectives or more backstory to certain characters. But maybe that’s the point. There is no neat explanation or clear villain in such a complex conflict. Sometimes, just seeing the chaos as it is, is powerful enough.
What makes Bastar: The Naxal Story so compelling is its refusal to let you stay neutral. It’s not here to hand you easy answers. It simply forces you to look—and in doing so, confront your own apathy. Whether you agree with its narrative or not, you’ll leave the theater thinking. And in times like these, that might be the most radical thing a film can do.
